W&M Physical Theatre and the Calgary Contemporary Dance Collective (CCDC) hope that you will join us for this exciting 3 hour workshop (technique and repertory) with renowned choreographer and teacher, Sasha Ivanochko. It will be held at the Center for Movement Arts (CMA) at 4005 9th Street SE.  Call  403 240-2338 or email information@wmdance.com

The workshop is for experienced dancers and limite
d to 18 dancers
Cost: $25 pre-registration is required, payment by March 20th, 2012
Walk ins: $30 (if space is available)


You'll find more information on our facebook page
https://www.facebook.com/pages/W-M-Physical-Theatre/79040400380

At Dancers' Studio West this week, we will be premiering a new work and sharing the evening with Tara Wilson.  This is the final weekend of the Alberta Dance Festival.  Hope you can make it!

FEB 23, 24, 25 8PM
TICKETS 403 244 0950

2007 - 10 Avenue SW
Calgary AB T3C-0K4


Collaboration

As we were setting up in the theatre yesterday, I was marvelling at how important collaboration is and how impossible it is to make dance work without the commitment of so many! There were W, Steve, Veronica, Adele, Rob and Brian; all working toward getting this work up and running with sweat, good humour and creative intelligence. Thank you, all of you!
On this idea of the media and public only seeing dance as 'entertainment' (which came up on the InLayers blog and has come up often in conversation for me)-I think one of the struggles dance artists face is that the body is so often used publicly as a commercial commodity to be admired or disdained based on its perceived 'beauty'; a concept shaped (again) by our culture and time.  The body as language, as sculpture, as texture and energy, as a vehicle to raise questions or confront current ideas, is unfamiliar to most viewers/participants in dance art.   The body, in its individuality and imperfection is somewhat messy--and is always changing; influenced by its biological workings and its environment-both emotional and physical.  I think many people run away from that 'messiness' (valuing only the perfection of the body image and ability) and those of us that love that beautiful messiness, we embrace dance and movement as fundamental human expression.  
We (as dance artists) often contribute to the media's perception of dance as entertainment in interviews and in print) when we (in an effort to attract an audience) respond shallowly to questions that address these commercial aspects only.  I love that Bob Clark always asks me "why should someone come to see this?" and every time I struggle to answer  honestly--Actually, I believe that they should come because we are all enriched by returning to the body as a fundamental form of connection and expression.  Personally, I hope they will come because I want to reach out my hand and touch them.  
W&M PHYSICAL THEATRE will show an excerpt of the work Triangular Theories of Love at the Alberta Showcase on October 22nd, 2011.  

This excerpt of Triangular Theories of Love is a sensuous and tongue-in-cheek look at long term love.  http://www.youtube.com/watch?v=FFrv_CXlMfY
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by Heather Fee 
Photo of Wojciech Mochniej and Maya Lewandowsky by Aaron McCullough RED DOT PHOTOGRAPHY

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When we fall in love with someone, truly and absolutely, we fall with utter and reckless abandon. Because really, what else do we want to do but breathe, feel, hold, know, and monopolize that person as much as humanly possible? I guess this part of love is just obvious; most of us have been there before. But the question that choreographer Melissa Monteros explores in her work, Triangular Theories of Love, is, what happens when the initial crazy-in-love, can't-breathe, can't-be-apart, insane passion stage wears off? As she puts it in the program: How do we stay in love? This contemporary work, presented by W & M Physical Theatre at Dancers' Studio West between January 26th -29th 2011, dives into this question. Monteros presents us with a chance to reflect on and look at the experiences of love through four sets of couples, each struggling to find their own answer.

The theatre doors open. As we file in to take our seats we are greeted by a looming fog hanging in the air. Darkness engulfs the empty stage; an impatient beat of music reaches our ears. Bickering voices are heard from somewhere unseen, and out come the first couple. What follows is an intertwining of such artistic mediums as movement, music, lighting, text, and media that weave together a story of relationships. The movement qualities shift between both airy eloquence and grounded physicality; simple gestures and actions appear throughout the work, personifying at once the roles we typically assign gender whilst lending an enigmatic air to the intentions and wills of the characters. Each performer embodies the choreography differently, and contrasting glimpses of verve and doubt are explored in each of them as they test their loyalties, consider their desires, and ponder what might rekindle the passion of their relationships. Deep sensuality, lightheartedness, and humour are all exemplified by the embodiment of contrasting and dynamic movement phrases. Sharp, quick, and darting phrases give way to slow, expanding, and breathable ones. Couples exert power over one another as they quite literally butt heads, firmly gripping and wrestling each other back and forth across the floor. At one point they take it in turn to sit on the back of the other as their partner crawls tempestuously through the space beneath them. Through movement, the cycles of calmness and frustration are crafted and explored, the music assists in setting the tone between the two extremes. The lighting allows the audience a spot lit peak at the couple's most intimate moments, showing their sorrow and exhaustion as well as their happiness and elation, while both text and media provide an opportunity to discern the inner workings of their minds.

Triangular Theories of Love is a work that makes you contemplate your own reasons for being with someone, helping you to understand and acknowledge love's ever changing nature as it evolves over time. Most importantly, though, the piece leaves you with a quiet joy; an appreciation for the underlying tenderness won only by those willing to prevail through love's ups and downs.
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Diving and dolphins

Whenever I hear the word diving, I think of dolphins.  I don't know why, exactly.  The first time I saw a dolphin playing with our boat, I was so incredibly happy.  This was a feeling of playing, diving, racing, shooting through the water,  all silky and shiny.  I want to be like that...somewhere inside I am, but I don't believe I could ever put this into movement!  
M
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Here is Henna Holma

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PSYCHOLOGICLY WATER SYMBOLIZES EMOTIONS:

From wikipedia:

Water is one of the four classical elements in ancient Greek philosophy and science. It was commonly associated with the qualities of emotion and intuition.

 

This is concept that inspires me a lot. The connection between water and emotions.

I wrote a text in Pyhäjärvi and I would like to share some of it with you:

 

" I´m lying on a tiny pier floating on Pyhäjärvi-lake thinking about water symbolizing emotions. The waves are making the pier move under me and I´m thinking: why is it that I don´t want to swim but I actually want to dive? What does it tell about me?

 

I love water but I´m also afraid of it. This reminds me of the fact that when I dive emotionally with someone I immediately start to be afraid that the person will abandon me. I dive with great pleasure but I´m afraid that it´s too much for the other person. It´s hard to find the trust. As hard as it has been for me to trust that I will  not drown when I´m under water

 

It´s windy and I´m turning myself against the breeze. I´m on the level of the surface of the water waiting for the right moment to dive."


Pirjo

 

Nils-Udo

While travelling I saw some photos of the work of Nils-Udo on Air France magazine. Installations made into the nature. They might inspire you too. Here´s one website where there´s a description of his work:

http://www.greenmuseum.org/content/artist_index/artist_id-36.html

When you google his name you can find several images of his art.

 

Nils-Udo´s artistic statement:

http://greenmuseum.org/content/artist_content/ct_id-64__artist_id-36.html

 

http://www.artfocus.com/Udo.jpg

http://www.projectgradhouston.org/fineArts/photos/photoWritingFinalComparison_img_11.jpg

 

Check him out!

Children of the sea

I found an interesting manga book, Children of the sea that i actually ordered from Amazon today. It sounded wonderful and the pictures that I saw were really great. Americanc can actually download couple of pages from this site:

http://www.sigikki.com/series/cots/index.shtml

On this website you can find some comments on the book, too.

Treasures

Time is the greatest treasure....